Scene 1 - Main Titles         The movie starts off from the perspective of a theatre, setoff in pitch black, with a combat of chatter, which would be the said(prenominal) as if you went into a real theatre, the sound of everyone calming set forth and belongting themselves comfortable, then as the lights come on the liquefy in orchestra starts.         The conductor I feel is added for a bit of comedy, to contrast with the beginning sadness of the door.         The twentieth century cast logo, which everyone is wedded to seeing, is noticed again as Bazz Luhrmann has given the introduction and source credits an olden day feel, simulating the scratching you stick to on the old films.         After the 20th century booze logo, when the movies developed opening credits begin, the music chosen is troika unalike songs, which are The sound of music, ???? and The CanCan to give a (cant withdraw of the word, it means e xample of the songs shown) of a few of the songs employ in the movie.         The fast tempo acceleration of The CanCan music with the silhouette of a can can dancer in the oscilloscope gives the physical body a exciting element, which cuts sharply to the unsounded old fashioned footage of the title Paris 1900 to give the earshot a refrence point. Scene 2 - There Was A Boy...
        The camera zooms in onto the screen, cropping the theatre stage and the conductor, implying that its grave stuff now, and not gambol and games.         The scene first shown is of Christ ians apartment, with the Lamour brand shown! prominently, revealing to the French-speaking hearing that the movie is about love, on the left of the apartment is Toulouse-Lautrec (John Lequizamo) notification Nature boy (written by Eden Ahbez), when he starts vocalizing about a very fantastical and enchanted boy... If you want to get a full essay, ordination it on our website:
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