'Buffalo Bill’s Defunct\r'

'â€Å" overawe measuring rod’s Defunct” Joey Willoughby ENG 125 invention to Literature Instructor: Katie Newbanks 5/16/2011 cow commove’s Defunct E. E. Cumming’s,” overawe bear down’s Defunct” is a somewhat uncontrollable poem to interpret. The poem displays peculiarities of good for you(p) structure, as advantageously as line and stanza. What we turn in’t see, in this poem, is as vital to our understand of the poem, as what we do see. â€Å" buffalo greenback’s Defunct” is an passing short poetic piece consisting of only eleven lines and is a free verse, open blueprint classification of poetry in filename extension to mortality.The poem evoke excessively be considered as onomatopoeia in constitution due to the utilization of says to represent sound. The character of the poem is also based on a centralized protestation of death of an individual that provided exercise to the lives of others. event: how do you like your blueeyed boy Mister Death. cummings sarcastically refers to â€Å"blueeyed boy” as simply a nonher(prenominal) deceased person, as opposed to his earlier line drawing of buffalo charge up’s appearance as a â€Å" charming man” with many accomplishments in life.My interpretation of the poem is that he appears to be verbalize to Mister Death ”You took him, but you’re not divergence to get any enjoyment from doing so. ” cummings is fundamentally blaming Mister Death and insinuates to him that he give give buffalo bill of fare new life. There were many composites of this special(a) poem that captured my attention at the very spring of the analysis. The particular style of wording of the poem (structurally) suggests to me an arrowhead. This is large as in life cow calling card, a frontier scout was associated with Native Americans and was a stormy west outlaw.The unconventional syntax, style of language, and lack of punctuation mark also attracted my attention to the poem. Cummings also uses shell topography and word arrangement in his work. Example: The word Defunct, (line 2) is an eye catching word as it dwells in a space where one would expect to assure the word â€Å"dead” or â€Å"deceased. ” (Clugston, R. W. ) Single run-in are presented to the reader as complete lines. Example: (line 1) Buffalo Bill’s, (line 2) Defunct, (line 7) saviour, and (line 11) Mister Death.The only capitalization of delivery are (line 7) delivery boy, (line 1) Buffalo Bill’s and (line 11) Mister Death. â€Å"Buffalo Bill and Mr. Death enclose the poetic fabric and â€Å"Jesus” is set apart by itself, to the uttermost right extremes of the poem. Example: (line 1) the beginning †Buffalo Bill’s and (line 11) Mister Death at the poem’s end. (Clugston, R. W. ) The word arrangement also attracted my attention. Example: (line 6) â€Å"one cardinalt hreefour pigeons” and (line 6) â€Å"justlikethat. ”This origination of words is known as neologisms, which is defined as a new usage of a word.These optic effects are intended to assist in the translation of what we read. Example: ( eye;gt;voice;gt;ear) so that we recognize the stress in each instance. For example, in (line 6) â€Å"onetwothreefour pigeons” one can almost hear the short, bang-up sounds of the gunshots in the rapid fire shooting of the trunk pigeons. I believe that poetry is meant to be heard. â€Å"Buffalo Bill’s Defunct” definitely provided this sensory effect, as I could almost hear the gunshots via learning the words of the poem.This type of word arrangement could also be an indication that Cummings possessed a great admiration for Buffalo Bill’s shooting prowess and is a direct reference also, to the â€Å"Wild West ground” circa (1890) where Buffalo Bill performed in his later years. In (line 7) of â€Å" Buffalo Bill’s Defunct,” Cummings uses the single word â€Å"Jesus” which was quite baffling to me. I came to the conclusion that this provided a contrast between â€Å"Jesus” who is typically referred to in the light of love and peace, while Buffalo Bill was notorious for fights and etc.In comparison of Buffalo Bill and Jesus both are noted to have an draw with the death process. (Clugston, R. W. ) Metaphorically speaking, Cummings utilized two very opposing characters in his poem, Buffalo Bill and Jesus. The metaphoric process is very unique in the position that it sets objects which are unlike together and hones in on getting the reader to acknowledge the likeness between the two. In (lines 4 -5), Buffalo Bill’s horse is an excellent sensory image, as one can almost visualize the gray-colored, slick steed with Buffalo Bill as rider galloping crosswise the plains.This signifies that the poem possesses aesthetic merit, as we envision the truelo ve of this mighty stallion. (Clugston, R. W. ) The differences between speech and poetic form affected my experience of the poem by allowing me to spew myself in Cumming’s position and actually line up what he was feeling as he wrote the poem. Cummings is saying, Okay, Buffalo Bill is dead, but he will forever be remembered as he was when he was living. â€Å"You can’t take that away, Mister Death! peradventure the final rhetoric question to Mister Death says it come apart: â€Å" how do you like your blueeyed boy” He is essentially telling Mister Death that (you have him, but you do not have in your possession what we had. )(Clugston, R. W. ) â€Å"Buffalo Bill’s Defunct,” addresses a common sympathetic experience â€Å"death” and puts emphasis on the fact that those who have passed over are gone, but not forgotten. E. E. Cummings, â€Å"Buffalo Bill’s Defunct is a somewhat difficult poem to interpret.The poem displays peculiar ities of sound structure, as well as line and stanza. What we don’t see is as vital to our understanding of the poem, as what we do see. Here’s to Buffalo Bill. May he remain as living in our lives today as when he rode his handsome stallion in the â€Å"Wild West Show” of yesteryear. References Clugston, R. W. (2010) Journey into Literature, San Diego, CA: Bridgepoint Education, Inc. http: www. content. ashford. edu Table 1 stash away Table Title Here discover Captions Figure 1. Insert figure caption here.\r\n'