Friday, January 25, 2019
Nineteen Eighty Four Essay
Nineteen Eighty foursome is George Orwells nightm be vision of the future. Written in 1948, at the completion of World contend II, Orwell simply switched numbers for his future view. The s tell aparttle chapter is rattling good in the modality that it straight away lets the reader turn in the style of the sassy. The opening is a description of post- state of war London, and the introduction of the main character. Orwell byword the evil in the war just passed, and wrote some it. The imagery use smoke all be linked to the war or London. The novel is not personal, with more reference to the party and regimes, Orwell was a political writer, an uttermost(a) socialist.He is criticizing any political regime, socialist or fascist. Right from the inception the author intends to draw attention to the setting. The chapter is typical of the book as a whole describing Orwells dystopia. The main character we argon first introduced to is Winston Smith. This is a common, English diff erentiate, showing that Winston is in no way separate from the majority. The name Winston can be linked to Winston Churchill, who had just lead England through the war. along with the name, Winston is not presented as a hero, as one would expect of a main character.Winston is thirty nine and had a varicose ulcer higher up his right ankle and is incredibly unfit, resting several clocks on his way up the stairs. We be not, however, given a personality for our hero we have to wait until part II of the novel to take personal detail. The opening passage introduces us to life for Winston. The settings described be not pleasant. Out lieu, at that place is a vile wind and a swirl if gritty dust. at bottom Victory Mansions, where Winston resides, for it cannot be said that he lives, it is not much better. The hallway smelt of boiled cabbage and old rag mats. This gives the painting of buncombe and deterioration. E actuallything is rationed this is a reference to the war. The presen t electric current was cut off during daylight hours. Winston uses blunt razor blades and coarse soap. in that location is no colour described in the opening, the picture of the settings in the readers mind are black and white, therefore giving a smell of a grey, unhappy world. The people of London are not free. There is an imposing poster ein truthwhere one turned, bearing the caption, BIG blood brother IS WATCHING YOU. The man in the poster, the face of a man of about forty-five, with a heavy black moustache and ruggedly handsome features could very well be Hitler or Stalin, another reference to the war. There is a sense of being watched, the enormous face gazed from the wall. It was one of those pictures so contrived that the eyes follow you about when you move. The notion of Big Brother is introduced to us in the first ten lines of the novel, this clearly shows us where Orwells intentions lie. We are introduced to the concept of Hate Week, although no further detail is gi ven.Orwell writes of it as though it is an every day event and nothing obscure should be fancy of it. Big Brother is the antithesis of Winston, strong and powerful vs. frail and weak. The reader gets the impression Winston could never overthrow the party, although we are not yet introduced to his rebellious side as he does not yet have a character. We are introduced to the party slogans. The set out of them is a triangle, representing hierarchy, authority. The words are oxymorons, War and Peace, Freedom and Slavery, Ignorance and Strength.The words are ironic when used next to apiece other. They are each the antithesis of the other. If you take away peoples knowledge, you can tamper with their minds, as shown in the last slogan. Once inside Winstons flat, we are introduced to the telescreens, furthering the notion that no one is free. There are helicopters that sort into the houses and the telescreens that watch you. There is a description of a dulled reverberate but mirrors can not be dull, or the view would be distorted, this is another depicted object from Orwell showing us nothing was clear.We get more description of Winston, even nothing personal, and still anti-heroic, a smallish, frail figure, the meagerness of his body besides emphasized by the blue overalls which were the uniform of the party. We get the impression he is not well. Everything he can see from his window is unpleasant, the world looked cold, it was bust and harsh. References to the war are frequent. The Ninth Three-Year intention is ironic, because it would not be possible, and the Three-Year Plan relates to the plan Germany had after the war.The houses are describes as rotting, and their sides shored up with baulks of timber, their windows patched with unreal and their roofs with corrugated iron. This is war-torn London. The place Winston lives, Oceania is at war. Orwell suggests the war is just a tool used by the party to keep the people oppressed. We are introduced to the Ministries. Their descriptions are the antithesis of the houses described. They are described as startlingly different and they are a wonder to look at.The Ministries are of Truth, Love, Peace and Plenty. The irony lies in the fact that the Ministry of love was the frightening one. Things were done with military precision, even the time is in twenty-four hour clock. The Ministries were guarded by uniformed, armed guards, gorilla-faced guards. Orwell uses head rhyme to emphasize how imposing and horrible they looked. Another war image. The opening chapter is very effective in making the reader wan to read on, as it makes you feel you are reading history.This is because we are reading with hindsight. The reader feels they wishing to get to know Winston better because of what they have so far read. Orwell is effective is his opening because the settings are so well described that you instantly get a mental picture and are intrigued by the contrast betwixt the war-torn London so wel l known and the surreal mood of helicopters looking in windows. It makes the reader wonder what might have happened had the war turned out differently, and Orwells Big Brother, Hitler or Stalin, had been successful.
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